Schagerl C-Trumpet "BERLIN Z" heavy gold plated
6.380,00 €*
delivery time: 2-3 months
Tune | C |
Bell | 5.12" / 130 mm / Goldbrass |
Material | .0177" / 0.45 mm |
Bore | large |
Valves | heavy |
Leadpipe | goldbrass / sterlingsilver |
Specification | straight trigger for 3rd slide - A&C overblow key |
Finish | gold plated |
Schagerl remains true to its motto In Quality we trust , setting a standard in the world of professional rotary valve trumpets.
https://www.youtube.com/watch?v=iv4hUjSa0_w
https://www.youtube.com/watch?v=9LFmHI4YFlo
https://www.youtube.com/watch?v=iEr0jeSMStU
Gabor Tarkövi (Professor at the UdK Berlin)
“The "Berlin" Bb and C trumpets play very easily, have a balanced, wide, brilliant sound coupled with excellent intonation. The heavy models also have an easy response, a slightly wider sound, and convey the ideal playing feel for orchestral musicians.”
Jörge Matthias Becker (Principal Trumpet of the SWR Symphony Orchestra Stuttgart)
“The Berlin Heavy Z C-trumpet is a perfect tool due to its excellent intonation, colorful, full fundamental sound, extremely direct response, and phenomenal projection (especially in large spaces). But it is more than that, because it combines this balance with a richness of colors and agility, so that whenever you pick it up, you naturally begin to express yourself musically. And isn't that what it's all about, the joy of music and sound?”
Lajos Rezmüves (Principal Trumpet of the Philharmonic State Orchestra Mainz)
“I can express my musical ideas on the Schagerl trumpets just the way I want. These wonderful instruments support me acoustically optimally, allowing me to deliver my best performance in any range and dynamics without exerting myself as a player. The ease and acoustic flexibility of these extremely well-balanced trumpets, both in terms of sound and intonation, bring me a lot of joy in playing music and add a special touch to my personal expression in the orchestra. I am simply thrilled!”
Daniel Rikker (Principal Trumpet of the Staatsopera Budapest)
“Playing my Schagerl trumpets daily brings me a lot of joy. I like their resonant sound and especially their ease of playing.”
Every musical instrument is unique, not only in its construction, but also in the way it is finished, which has a significant influence not only on its appearance, but also on its sound and maintenance. Here we take you through the different finish options we offer and explain what makes each one different.
**Gold plating:**
The gold plating of our instruments not only gives them an aesthetically pleasing appearance, but also influences the sound character. An instrument with a gold-plated finish offers a darker, warmer sound, ideal for musicians seeking a deep and rich tone color. In terms of maintenance, gold-plated instruments are quite uncomplicated. They are durable and only require gentle cleaning to maintain their shine.
**Silver-plated:**
Silver-plated instruments are known for their radiant, broad sound. This finish is ideal for musicians who prefer a clear presence and wide-ranging sonority. Although silver-plated instruments require more maintenance, they are durable and resistant to the daily demands of music-making.
**Lacquered:**
A lacquered instrument is characterized by a focused, pithy sound. This finish is perfect for those who prefer a clear and direct sound. However, the longevity of a lacquered finish is limited; it can show signs of wear after just one year, with no guarantee of durability. Gentle care is required to prolong its life.
**Vintage (Clear/Matt):**
Vintage instruments also offer a focused, robust sound. These instruments are easy to maintain and are available in two finishes: clear and matte. While the clear version emphasizes traditional elegance, the matte finish offers a more subtle, understated look. Both variants require only gentle care.
**Raw:**
Instruments with a raw finish deliver a gritty, open sound that is particularly popular with jazz and blues musicians. Theoretically, these instruments do not require regular maintenance, but verdigris can build up over time, which can deposit on musicians' hands. Although this patina is an added attraction for some, musicians should be prepared to deal with dirty hands.