Schagerl Bb-Trumpet "BERLIN K" heavy gold plated
5.580,00 €*
in stock
Tune | Bb |
Bell | 5.19" / 132 mm / Goldbrass |
Material | .0177" / 0.45 mm |
Bore | medium large |
Valves | conical heavy |
Leadpipe | goldbrass |
Specification | straight trigger for 3rd slide |
Finish | gold plated |
Schagerl remains true to its motto In Quality we trust , setting a standard in the world of professional rotary valve trumpets.
https://www.youtube.com/watch?v=iEr0jeSMStU
https://www.youtube.com/watch?v=0ziwwRhqgqk&t=254s
Gabor Tarkövi (Professor at the UdK Berlin)
“The "Berlin" Bb and C trumpets play very easily, have a balanced, wide, brilliant sound coupled with excellent intonation. The heavy models also have an easy response, a slightly wider sound, and convey the ideal playing feel for orchestral musicians.”
Jose Real Cintero (Co-Principal Solo Trumpet of Beethoven Orchestra Bonn)
"Schagerl Berlin" is a master instrument, about which not much needs to be said. The trumpets speak for themselves, they are the perfect blend of sound and intonation. With Schagerl, I feel safe and free, both in the orchestra and as a soloist. BRAVO to the Schagerl team.“
Jörge Matthias Becker (Principal Trumpet of the SWR Symphony Orchestra Stuttgart)
“The B-trumpet is particularly important as our base and our "home instrument". The Berlin B-trumpet gives you the freedom and sound of a large instrument while always providing a pleasant resistance to lean on. The sound is large and naturally has the typical brilliance of Schagerl, allowing you to play relaxed without having to "create" the sound. The intonation is very balanced, making it very easy to switch to the C-trumpet and other instruments. I simply find this pleasant, light, and agile playing feeling combined with the rich sound convincing.”
Lajos Rezmüves (Principal Trumpet of the Philharmonic State Orchestra Mainz)
“On the Schagerl trumpets, I can express my musical ideas just as I wish. These wonderful instruments support me acoustically optimally, enabling me to deliver my best performance in every range and dynamic without it being strenuous for me as a player. The ease and tonal flexibility of these extremely well-balanced trumpets, both in terms of sound and intonation, bring me a lot of joy in making music, and add a special touch to my personal expression in the orchestra. I am simply thrilled!”
Every musical instrument is unique, not only in its construction, but also in the way it is finished, which has a significant influence not only on its appearance, but also on its sound and maintenance. Here we take you through the different finish options we offer and explain what makes each one different.
**Gold plating:**
The gold plating of our instruments not only gives them an aesthetically pleasing appearance, but also influences the sound character. An instrument with a gold-plated finish offers a darker, warmer sound, ideal for musicians seeking a deep and rich tone color. In terms of maintenance, gold-plated instruments are quite uncomplicated. They are durable and only require gentle cleaning to maintain their shine.
**Silver-plated:**
Silver-plated instruments are known for their radiant, broad sound. This finish is ideal for musicians who prefer a clear presence and wide-ranging sonority. Although silver-plated instruments require more maintenance, they are durable and resistant to the daily demands of music-making.
**Lacquered:**
A lacquered instrument is characterized by a focused, pithy sound. This finish is perfect for those who prefer a clear and direct sound. However, the longevity of a lacquered finish is limited; it can show signs of wear after just one year, with no guarantee of durability. Gentle care is required to prolong its life.
**Vintage (Clear/Matt):**
Vintage instruments also offer a focused, robust sound. These instruments are easy to maintain and are available in two finishes: clear and matte. While the clear version emphasizes traditional elegance, the matte finish offers a more subtle, understated look. Both variants require only gentle care.
**Raw:**
Instruments with a raw finish deliver a gritty, open sound that is particularly popular with jazz and blues musicians. Theoretically, these instruments do not require regular maintenance, but verdigris can build up over time, which can deposit on musicians' hands. Although this patina is an added attraction for some, musicians should be prepared to deal with dirty hands.