F. Louis „Pure Brass“ Ligature Alto Saxophone - XL Brass
incl. cap
94,00 €*
List price: 105,00 €* (10.48% saved)
Content:
1 Stück
in stock
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Klaudia Gastecker
Sales / Woodwind & Strings
Sales / Woodwind & Strings
Christian Salzer
Sales / Woodwind
Sales / Woodwind
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Product details
The Francois Louis ligture from the Pure Brass series delivers maximum resonance and exceptionally free response. Thanks to its streamlined design, the ligature makes only minimal contact with the reed and mouthpiece, thereby optimally preserving the reed’s natural vibration. The result is an open, lively sound with excellent projection and clear tone production.
The reed is secured by a single central screw, which ensures even pressure distribution across the reed. This allows the reed to vibrate freely without being restricted in its movement or dampening the vibration of the mouthpiece. This design supports precise response and flexible tone shaping across all registers.
Crafted from pure brass, the Pure Brass series offers a particularly resonant structure that significantly enriches the tonal character, lending it additional warmth and brilliance. The high-quality craftsmanship also ensures reliability and durability in daily use.
Suitable for ebonite mouthpieces (such as Selmer, Vandoren, Meyer, Otto Link, etc.)
François Louis, born in Brussels in 1954, began his journey in musical instrument making after gaining experience in fluid mechanics as a motorbike competition mechanic. He quickly gained recognition for his modifications to saxophone mouthpieces, attracting interest from renowned musicians like Joe Lovano. Over the years, he patented new mouthpiece designs, expanded his workshop globally, and collaborated with esteemed musicians. François also ventured into teaching master classes and innovated ligature designs. Notably, he embarked on a collaboration with composer Philippe Boesmans for a saxophone prototype project. In 2003, François Louis furthered his innovations, including the modelisation of the Aulochrome and the development of new reed concepts for saxophones and clarinets.
The Francois Louis ligture from the Pure Brass series delivers maximum resonance and exceptionally free response. Thanks to its streamlined design, the ligature makes only minimal contact with the reed and mouthpiece, thereby optimally preserving the reed’s natural vibration. The result is an open, lively sound with excellent projection and clear tone production.
The reed is secured by a single central screw, which ensures even pressure distribution across the reed. This allows the reed to vibrate freely without being restricted in its movement or dampening the vibration of the mouthpiece. This design supports precise response and flexible tone shaping across all registers.
Crafted from pure brass, the Pure Brass series offers a particularly resonant structure that significantly enriches the tonal character, lending it additional warmth and brilliance. The high-quality craftsmanship also ensures reliability and durability in daily use.
Suitable for ebonite mouthpieces (such as Selmer, Vandoren, Meyer, Otto Link, etc.)
The reed is secured by a single central screw, which ensures even pressure distribution across the reed. This allows the reed to vibrate freely without being restricted in its movement or dampening the vibration of the mouthpiece. This design supports precise response and flexible tone shaping across all registers.
Crafted from pure brass, the Pure Brass series offers a particularly resonant structure that significantly enriches the tonal character, lending it additional warmth and brilliance. The high-quality craftsmanship also ensures reliability and durability in daily use.
Suitable for ebonite mouthpieces (such as Selmer, Vandoren, Meyer, Otto Link, etc.)
François Louis, born in Brussels in 1954, began his journey in musical instrument making after gaining experience in fluid mechanics as a motorbike competition mechanic. He quickly gained recognition for his modifications to saxophone mouthpieces, attracting interest from renowned musicians like Joe Lovano. Over the years, he patented new mouthpiece designs, expanded his workshop globally, and collaborated with esteemed musicians. François also ventured into teaching master classes and innovated ligature designs. Notably, he embarked on a collaboration with composer Philippe Boesmans for a saxophone prototype project. In 2003, François Louis furthered his innovations, including the modelisation of the Aulochrome and the development of new reed concepts for saxophones and clarinets.
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