Schagerl Bb-Trumpet "RAWENI" raw

4.990,00 €*

delivery time: 16-18 weeks

Finish

Gold

Gold scratched

Gold scratched clear parts

Lacquered

Raw

Silver

Vintage clear gold parts

Vintage matt gold parts

Vintage matt silver parts

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The Schagerl "Raweni" - an extraordinary fusion of trumpet and cornet, uniting the best of both worlds. Born from the vision of creating an instrument with rotary valves, the Raweni offers unparalleled precision and clarity, especially during fast passages in the high register. Its unique design featuring a long leadpipe, similar to that of a trumpet with piston valves, redefines the sound and enhances the power in the upper range.
The Raweni stands out with its "cornet-like" appearance, resulting from the deep placement of the valves. Nevertheless, it remains true to its essence as a real trumpet, enabling one-handed play - ideal for multitasking musicians who wish to conduct, use a mute, or accompany on the piano simultaneously.
Characteristic of the Raweni is its exceptional sound: warm and flugelhorn-like when played softly, brilliant and penetrating with strong blowing technique. This versatility makes it particularly appealing to jazz musicians seeking an intimate sound without a mute or wanting to project powerfully by increasing the air flow.
Experience a new dimension of trumpet playing with the Schagerl Raweni, where traditional boundaries merge and innovative soundscapes emerge.

Tune	Bb
Bell	4.84" / 123 mm / goldbrass
Material	.019" / 0.50 mm
Bore	large
Leadpipe	Yellowbrass
Finish	raw

Manufacturer: Schagerl Meisterinstrumente

Schagerl, a family business with the highest commitment to quality, has always dedicated itself to the manufacture of high-quality instruments. The 1990s marked a turning point when the collaboration with the renowned Professor Hans Gansch began, leading to the development of the exclusive rotary valve trumpet line. After intensive research and testing phases, Schagerl presented the first professional C rotary valve trumpet, the Classic Line model. With Robert Schagerl as the master craftsman and the expertise of Hans Gansch, this instrument was produced in a limited edition until the year 2000. In 2001, on the 40th anniversary of the company, this model experienced significant further development, leading to the birth of the VIENNA model W-2001 . In 2006, this model was updated under the name Vienna with detailed improvements. Another breakthrough in rotary valve trumpet manufacturing occurred in 2010 with the transition of the entire series to a state-of-the-art CNC-manufactured, completely in-house precision valve block. On the occasion of our 60th company anniversary in 2021, the existing Vienna model was completely revised in close cooperation with Matthias Kernstock, the principal trumpeter of the Vienna Symphony, further improving the proven sound concept of Schagerl instruments.
Schagerl remains true to its motto In Quality we trust , setting a standard in the world of professional rotary valve trumpets.

https://www.youtube.com/watch?v=87Abagm37H8&t=25s

https://www.youtube.com/watch?v=RVIoghs2RTc&t=439s

James Morrison (Multiinstrumentalist)

The New Schagerl “Raweni”- The Best Of Both Worlds

This is my new trumpet from Schagerl – although it looks a bit like a cornet, it is definitely a trumpet.

The design comes from my wish to have a rotary valve instrument due to the different articulation you get compared to piston valves. I find the rotary sounds more precise and there is a smaller “dead spot” between when you push the valve and when the next note comes out clearly. This is particularly noticeable when playing quickly in the upper register (something I like to do).

So if I want a rotary trumpet, why not just use one of the many Schagerl’s that already exist?

Rotary trumpets vary from their piston cousins in another way than just the valves… the lead pipe on a typical rotary is very short and goes from the mouthpiece straight into the 1st valve. The lead pipe on a piston trumpet is nearly 4 times as long, it goes out towards the bell and back into the 3rd valve. This difference in lead pipe length has a considerable effect on the sound and feel of the trumpet, particularly the power in the upper register.

So the Raweni was conceived to be a rotary valved trumpet with a long lead pipe. This lead to several prototypes of different shapes and configurations until the beautiful instrument you see now. It actually still has the lead pipe going into the 1st valve (like any rotary) but only after a long trip out towards the bell and then back towards the mouthpiece – giving a length similar to a piston trumpet.

The ‘cornet – like’ appearance was due to the fact that the rotors needed to be placed low (increasing the vertical dimension) and this lead to a decreased horizontal length – like a cornet. But as far as the tubing goes, this is all trumpet. The valve actuators, that look like pistons, were placed on top – so the instrument can be played with one hand. I need this for various reasons, including using a plunger mute, playing piano at the same time and conducting a big band whilst playing. It means the Raweni is played ‘upright’ like a piston trumpet, rather than on it’s side like most rotarys. In this respect it is similar to that other wonderful Schagerl – the Gansch horn.

One characteristic of the Raweni is that it is extremely warm sounding when played softly, almost like a flugel horn. When you blow it hard, it goes the other way and is even brighter than a regular trumpet. This ‘breadth’ of tonal range is very appealing to me for jazz work, as I can create a very intimate sound even without a mute and still ‘scream’ any time just by increasing the air.

Finally, why is it called the ‘Raweni’?

It was decided to plate it with a combination of platinum and silver that looks black, hence the name of the black bird. Unfortunately there is a delay with this type of plating and so I asked for my first Raweni in gold plate. There is a second prototype on the way that will indeed be black and should look wicked!…

Every musical instrument is unique, not only in its construction, but also in the way it is finished, which has a significant influence not only on its appearance, but also on its sound and maintenance. Here we take you through the different finish options we offer and explain what makes each one different.

**Gold plating:**
The gold plating of our instruments not only gives them an aesthetically pleasing appearance, but also influences the sound character. An instrument with a gold-plated finish offers a darker, warmer sound, ideal for musicians seeking a deep and rich tone color. In terms of maintenance, gold-plated instruments are quite uncomplicated. They are durable and only require gentle cleaning to maintain their shine.

**Silver-plated:**
Silver-plated instruments are known for their radiant, broad sound. This finish is ideal for musicians who prefer a clear presence and wide-ranging sonority. Although silver-plated instruments require more maintenance, they are durable and resistant to the daily demands of music-making.

**Lacquered:**
A lacquered instrument is characterized by a focused, pithy sound. This finish is perfect for those who prefer a clear and direct sound. However, the longevity of a lacquered finish is limited; it can show signs of wear after just one year, with no guarantee of durability. Gentle care is required to prolong its life.

**Vintage (Clear/Matt):**
Vintage instruments also offer a focused, robust sound. These instruments are easy to maintain and are available in two finishes: clear and matte. While the clear version emphasizes traditional elegance, the matte finish offers a more subtle, understated look. Both variants require only gentle care.

**Raw:**
Instruments with a raw finish deliver a gritty, open sound that is particularly popular with jazz and blues musicians. Theoretically, these instruments do not require regular maintenance, but verdigris can build up over time, which can deposit on musicians' hands. Although this patina is an added attraction for some, musicians should be prepared to deal with dirty hands.