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Leonhard Paul presents DOOBIDOO for two


New in our Shop

The “Doobidoo for Two” duets are the result of a collaboration between the composer Otto M. Schwarz and the trombonist and composer Leonhard Paul. Leonhard Paul is known the world over as one of the creative minds behind the ensemble Mnozil Brass. He studied music pedagogy and jazz and is now a lecturer at the University of Music and Performing Arts Vienna (MDW). This book contains duets in various styles, often equipped with ironic instructions. The duets are available for two trumpets, two horns, two trombones, two euphoniums in bass clef & treble clef, two tubas, along with versions for euphonium & tuba as well as trumpet & trombone.


Karl Schagerl Senior


Karl Schagerl, Senior
(13.06.1929 – 13.05.2021)

Our Founder, Karl Schagerl, Senior, a visionary mind and inspiration,  left the Schagerl Family today.

You passed on your love for music and people to us, we will always be grateful for that.

We will miss you infinitely,  but know that you will forever be in our hearts.

Bildschirmfoto 2021-05-15 um 10.30.41
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Marc Osterer- Schagerl Artist


How did you get to know the Schagerl company?

Playing at the Salzburg Festival in 2013, I was traveling around Austria shopping for a new instrument to take back to my job in the Mexico City Philharmonic. Schagerl was not only the highest quality, but very accommodating and personal with their service.

Which schagerl instruments do you play?

Roman Empire and Spyder trumpets, Wien flugelhorn. I used to have a Penelope model, which fell off my motorcycle on a winter’s night on the Austrian Autobahn 5 years ago – a tragic misfortune. Hopefully someone found it and is making some nice music.

Who influenced you in your career?

My teachers and colleagues in New York City, who taught me to show up on time, play everything as well as possible, and be friendly to everyone.

How long have  you  been living in Austria? What brought you here and why did you stay?

6 years! After working 3 summers in Salzburg, and meeting such amazing musicians, I decided that Vienna is a perfect city, where I can have a comfortable lifestyle and nice freelance career. So far, things are going according to plan!

Since so many concerts have been cancelled the past year, I’m lucky to now be working as lead trumpet in the Synchron Stage Orchestra, where we’ve been recording music for Hollywood film and TV productions.

More detailed information about his career: https://trumpetscout.de/marc-osterer-gekommen-um-zu-bleiben/

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Emircan Birgül – Schagerl Artist


How did you get to know the Schagerl Company? 

In 2010, I was just fifteen, I saw Mnozil Brass’s concert videos on Youtube during my high school years at the conservatory, and I was very impressed.  My favorite recording was Hungarian Schnapsodie. First of all, I liked the design of the instruments, I thought ‘’how easily they are able to perform what they want’’ while watching and, I dreamed at that moment by saying to myself ‘I should definitely buy a Schagerl trombone in the future. I went to the Schagerl factory in 2015 and had the Kissbone X my first instrument. It was an invaluable experience for me. The best part was that Zoltan Kiss tried my first trombone while I was at the factory and the Schagerl family welcomed me very well. Since then, I have used the Kissbone, Aurora, and Aurora Rizotto models and still use the Aurora Rizotto model.  The most important things in an instrument for me are intonation, transition between sounds, timbre besides acoustic power. I am quite pleased that Schagerl has met all of my expectations. I am grateful to Karl Schagerl in the first place and the entire Schagerl family for their support so far.

Which Schagerl instruments do you play?

Kissbone X Goldbrass Bell (2015-2017)
Aurora Yellowbrass Bell (2017-2018)
Aurora Rizotto Yellowbrass Bell (2018 – Currently)

Who influeced you in your carrier?

My mother encouraged me first to make a career choice. Three months before the conservatory exams, she prepared me for the music training required for the exam, and I have decided on my career plan thanks to her. I would like to thank from the bottom of my heart to my mother for her great guidance for my future. I would also like to express my deepest gratitude to my teachers Bedi Durham and Peter Körner, who have made valuable contributions in my life.

A short description of your career would be appreciated about your music and projects.

Emircan Birgül was born in Balıkesir, TURKEY in 1995. His trombone education started in 2006 at Hacettepe University Ankara State Conservatory. In 2010, he was selected to Doğuş Children’s Symphony Orchestra as part of Dogus Group Social Responsibility Project. In the same year, he took part in the Presidential Symphony Orchestra as the youngest guest artist.
 In 2012, he participated in Ankara Youth Symphony Orchestra and took part in various concerts.

He actively participated in master classes at Bilkent University with Joseph Alessi (2015) and Christian Lindberg (2016) in Ankara and he participated in master classes with Otmar Gaiswinkler(2016) and Jesper Busk Sørensen(2017) at Stift Melk, in the project of „Schagerl Brass Academy“ organized by Schagerl Meisterinstrumente in Mank, Vienna.

In the same year, he performed the trombone concerto of L. Grøndahl with Hacettepe University Symphony Orchestra which was conducted by Artun Hoinic. 

He actively participated in master classes with Armin Bachmann(2017) at “Ankara Brass Week” project in Ankara. 

In 2017, he successfully completed his trombone education at Hacettepe University Ankara State Conservatory in the class of Bedi Durham and he graduated with a status of “High Honor Student”. 

In 2018, he started the master education with Peter Körner at Anadolu University State Conservatory and same time he started the work at Ankara State Opera and Ballet Orchestra. At the end of the same year, he worked with Jamie Williams in a project of “Deutsch Türkische Jugendbrücke” at Hochscule für Musik und Theater Rostock, and 2 weeks later, he actively worked with world-famous trombone artist such as Mayumi Shimizu, Harrie De Lange, Dirk Ellerkamp, Matt Gee, Jose Milton Vieira, Zoltan Kiss and Peter Stainer at the “Leatzsch Trombone Festival”. 

In 2020, he was selected as one of the few to participate in the World Brass Association Wartburg Akademie project and he actively worked with Prof. Armin Bachmann. 

He continues master education at Anadolu University State Conservatory with Peter Körner and he is currently working as a trombone player at Ankara State Opera and Ballet Orchestra. 

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David Pastor – Schagerl Artist


How did you get to know the Schagerl company?

My secret is to always surround myself with a professional team that allows me to grow continuously and that adds value to my career. 6 years ago it was my own team who told me about the brand and urged me to try their instruments. We traveled to Mank where I was able to test various models and instantly fell in love with the sound and the versatility. At first I decided on the “gansch horn light”, for my solo works; the “Nodus L” model, for section and commercial works; and the flugelhorn “aglaea”.

Which schagerl instruments do you play?

 I still use my inseparable “gansch horn light” and I am using the “Las Vegas” model, for section and commercial works. Also, recently I am enjoying the “1961” model, a jewel that adds to my collection. I have also changed the “aglaea” flugelhorn, for a Killer Queen Z, and I can say that: it is the best flugelhorn in the world.

Who influenced you in your career?

Since my beginnings, I learned since I was 9 years old from the hand of my teacher Manuel López, in my homeland, Sedaví (Valencia) to whom I owe everything. Later, when I was 20 years old, I moved to Barcelona where I studied the higher degree of trumpet at the Barcelona Conservatory, under the guidance of Jaume Espigoler, whom I have to thank for all the knowledge he gave me regarding the classical trumpet. And in that same period, I was able to participate in the workshops of Michael P. Mosmann, in Sedajazz, which gave me a much broader vision of the trumpet in the field of jazz and modern music. Artistically I have admired great trumpeters like Claudio Roditi, who, unfortunately, has recently left us; Wallace Rooney, Jack Wallrath or Arturo Sandoval, with whom I have had the great pleasure of being able to collaborate and share experiences. Miles Davis, Maurice André, Dizzy Gillespie or Woody Shaw are always my inspiration.

About your Carree:

I am spanish trumpet player. I have been linked to my instrument for 37 years and have learned about life through it. I have grown and traveled with a trumpet in my hands. She has been and is the filter of my life. It has always been my way of expressing myself. And these are some of the projects I’m touring with. Film Sessions, Carlos Santos Award for Best Jazz Album 2019. Movie songs, covered for Jazz quartet. A classic line-up that revives mythical pieces of film history such as Saturday Night Fever, Chinatown or Flash Dance and that has already been heard at the best festivals in the world. Symphonic Jazz Sketches explodes onto the musical calendar as an open-ended project, seeking to bridge the gap between two seemingly opposite genres. David Pastor’s solo trumpet provides the link between both styles, accompanied by a quartet of renowned jazz musicians and a classical orchestra. Timelapse It is the new project that I am still working on, with which I am very excited and that will see the light at the end of 2021. I put myself against the strings, adapting the great universal classics in jazz mode, with a chamber orchestra. Gladly some suggestions on your part The sound of the Schagerl instruments allows me to be myself and express my sonority in a natural way, to find my own voice